Theme: engagement,

Themes:

autobiography, Bangladesh, Bronte collaborative, commission, consumerism crafts, domestic embroidery embroidery, Emily Davison engagement, exhibition film, handmade, health and well being identity, India kantha, quilt, recycle research Rochdale signature, suffragette, sustainable Tameside, text Touchstones Yorkshire

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Textile Society award

I am delighted to have been awarded the  2020 Textile Society critical writing award for ‘An Embroidered Elegy; Mrs Scales Autograph Cloth’. This research from the viewpoint of an embroiderer uncovered the maker and making of a 1936 stitched fundraiser made in Robin Hood’s Bay in North Yorkshire. The article will be published in the […]

Published: 21st June 2020
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Scaffolding for Life

Scaffolding for Life, a new initiative has seen its first iteration following a successful bid as part of  the Arts Council’s, Creative Practice award. Working with Conlon construct and charity Mates in Mind, this patchwork installation on Ormond Building at Manchester Metropolitan University explores ways to destigmatise issues related to poor mental health. The phrase, […]

Published: 31st January 2020
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Hulme Sweet Hulme 2009

The recipient of a Public Engagement Fellowship at MMU in 2009, I devised, co-ordinated and led Hulme Sweet Hulme, a collaborative arts project working with local groups.

Published: 10th October 2019
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Summer 2019

I am looking forward to presenting an artist’s perspective at the ICOM conference in Kyoto in September. This world class event brings together those interested in shaping the future of museums.My paper explores the value of small local museums and how, through the interrogation of one hand stitched cloth, the community in Robin Hood’s Bay, […]

Published: 7th July 2019
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Radical Locks

This new stitch-based project celebrates the women of Tameside, past and present and is launched on IWD 8th March at Portland Basin Museum in Ashton under Lyne and is on display until end May 2019. The initiative, funded by Tameside Council acknowledges 100 years since British women first gained the right to vote. The exquisite, […]

Published: 5th May 2019
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Sew Near – Sew Far

Sew Near – Sew Far is part of Meeting Point2, a year-long project led by contemporary art agency Arts&Heritage that sees artists partner with museums to produce new artworks inspired by  their collections. The stitch-based artworks form part of Brontë200, a five-year programme celebrating the bicentenaries of the births of the Brontës. Sew Near – […]

Published: 10th June 2018
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Threads of Identity

This project challenges stereo types surrounding embroidery, working with a group of 15 boys at Burnage Academy in Manchester. It is one in a series of initiatives to acknowledge the thirtieth anniversary of the death of Ahmed Iqbal Ullah, pupil at Burnage in the 1980’s, who was killed in a racially motivated crime. The finished […]

Published: 15th April 2018
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Spring 2017

Work from Kotha and Kantha – the Bangladeshi Women’s Memoir Project, in conjunction with the Ahmed Iqbal Ullah Educational Trust can be seen touring local North West libraries in the spring of 2017.  https://mmuspecialcollections.wordpress.com/2017/06/29/kotha-and-kantha/ A display will be at Longsight Library 17th Feb – 8 March, then the work goes to Accrington Library – 10th […]

Published: 20th June 2017
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Summer 2016

New work can be seen in two exhibitions this summer. One quilt ‘Dulwich Mum’ is on display in Making Spaces  – the 62 Group Exhibition at Macclesfield Silk Museum. From 17th July several new works can also be seen in the Wit of the Stitch at Ruthin Craft Centre, North Wales. Kotha and Kantha – […]

Published: 3rd October 2016
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Nebraska Schools

The shared cloth made from the sewn names of children at Culler Middle School, Lincoln, Nebraska is complete.  It evolved into a “distance” and “close” collaboration following my visits to Nebraska their last year. With help from staff and volunteers at the IQSC, we worked with three local middle schools. The schools are home to […]

Published: 11th November 2015
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